
An ethnographic documentary directed by Brian Moser focusing on the Cuiva, a small group of nomadic hunters and gatherers in southeastern Colombia. Filmed in 1971, the film contrasts two Cuiva groups—one maintaining a traditional nomadic lifestyle, the other drawn into the Colombian economy—illustrating cultural and economic change brought about through contact with settlers and the pressures this contact places on their way of life. (Note: Produced as an episode of the Disappearing World television series, the film is structured as a self-contained ethnographic documentary with its own title, subject focus, and production context, supporting its treatment as a distinct film.)
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.