The Discreet Insensitivity of ‘Slumberland’
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.

Pierre is a free-lance glamour photographer who always has to hassle his penny-pinching employer just to get paid while his bored spouse Françoise stays home all day, trying to keep up a semblance of housekeeping. A former model who has apparently done well for herself, Sylvie, makes a pass at Pierre and invites him to her house in the country for the weekend. Claiming an assignment to his unsuspecting spouse, he decides to take her up on it, only to learn that she too is married to the very open-minded Michel who even brings them breakfast in bed after a night of unbridled passion . As a lark, perhaps deciding that turnabout is fair play, Michel travels to Paris to console the lonely housewife, luring her into a threesome with a casual pick-up.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
This animated movie is based on the migration of birds from the north to the south.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.