Pretty Lethal (2026): When Ballet Turns Brutal
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.

During the Cold War, diplomatic courier Mike Kells must retrieve a dispatch containing top-secret intelligence. But when he arrives at the meeting point, a train station in Salzburg, his contact turns up dead, and the message is nowhere to be found. With no clear suspect in sight, Kells must sort through his uncertain relationships with two women, while sidestepping the pitfalls of subterfuge, sabotage and spies in his search for the documents.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.