“How to Divorce During the War” Is Not About Divorce At All
At its core, How to Divorce During the War is about how long one can hold onto their moral principles and empathy when personal comfort is at stake.

Haunted by recurring dreams of Hea-Thor, a gorgeous cavegirl,and a menacing Allosaurus, action-movie star Tony Markham soon finds himself transported, by means of a magic Icon, back through time to Dinosaur Valley. Now trapped in world of dangerous dinosaurs, grunting cavemen and a tribe of exotic, love-starved cavegirls, Tony must put his modern-days skills to extreme tests in order to survive prehistoric perils, win the cavegirl of his dreams and (maybe) return to his own time?
At its core, How to Divorce During the War is about how long one can hold onto their moral principles and empathy when personal comfort is at stake.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.