The Final End - The Conjuring: Last Rites
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.

Giacomo Meyerbeer's pastoral opera,based on a Breton tale, is the tale of DINORAH who has gone mad because her bridegroom Hoël has disappeared during their wedding. This production, performed as part of Théâtre Impérial de Compiegne's purpose of reviving obscure French opera, is the only version of 'Dinorah' available on DVD, but it is a great production! The painterly pastoral settings and décor and rustic costumes are very easy on the eye. Opera traditionalists who dislike modern stagings will be delighted to know that this is a traditional production. Pierre Jourdan's stage direction is charming and always involving, never once falling into static movements or gestures, gratuitous distaste and irrelevance. With Isabelle Philippe, Armand Arapian and Frédéric Mazzotta. Conducted by Olivier Opebeek.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.