'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

Film uses archival footage and semi-historical narrative to weave a complex exploration of identity, culture, and the power of archives in contemporary Ukraine. The video follows a young boy's 1995 outing with his family in Luhansk in eastern Ukraine (occupied by Russian proxy forces since 2014), while the adult voice of the child narrates his story from the present. His voice, however, is not his own. The story that he tells about Ukraine and Luhansk is explicitly framed as a narrative perceived by an American artist whose grasp of the situation is subject to media sensationalism, dramatic flourishes, and personal fetishism. Ultimately the film undermines its own authorship and our engagement with its drama, while also producing the story of a child who becomes a hero in a nation searching for hope.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
Dracula evolved from a person to a monster and then from a monster to a person.
We're making today a perfect day for you, and for everyone.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7