Andhadhun: A Retrospective
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.

Dik Trom and his friends are on vacation and having a great time. They come up with all sorts of things to do to pass the time. They go fishing, make wooden carts, shoot bows and arrows, and get up to all sorts of mischief. Even Constable Flipse is not safe from their pranks. They are having so much fun that no one, not even a bully, can spoil it. They hope that they will experience something exciting during this vacation. Suddenly, they find a haunted house. Will that be scary enough?
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.