Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

For many decades, it was Germany’s largest event venue and North Rhine-Westphalia’s “XXL living room”: the Westfalenhalle in Dortmund. Opened in 1952—long before the boom in multipurpose venues of the ’90s and 2000s—the Westfalenhalle remains Germany’s third-largest venue in terms of audience size. A century-old building designated as a historic landmark that is deeply rooted in the history of North Rhine-Westphalia—and a show business legend right in the heart of the Ruhr region.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?