NIGHTBOOKS: Stylish Kid's Horror with a Focus on Acceptance
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.

A woman disappears mysteriously in the middle of a forest. Police begins his search, in addition to her husband, a forensic expert. When officers asked to provide them with a photograph of the missing, he discovers that someone has entered her house and stole all the images of women.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
A story of a magical dragon brings great representation for Chinese culture.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs