No One Mourns the Wicked?
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.

Everyone can see that the Slupetzkis live in luxury. What their neighbors, the Taubers, don't see is that they are broke. So the Slupetzkis only pretend to go on their ostentatiously announced prestigious vacation and instead hide in their villa. But there's something they don't know: their daughter Diana is using the seemingly empty house to spend the holidays with her new boyfriend, Tomek, an Eastern European car mechanic, doing whatever she wants. Unfortunately for Diana's parents, there's nothing they can do about their daughter's plans, because otherwise their cover would be blown.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.