'You People' is as Glossy and Uneven as its Predecessors
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.

Rotary machines spew out extra sheets. Cars pile up, people run together. Everything has one goal: the rocket launch site. The first manned moon rocket is to be launched, marking the conquest of the moon by the USA. The sensational program about the launch rolls on, commented on by an incessantly chattering reporter. There is an embarrassing accident at the control desk: the generals from the Air Force and the Navy cannot agree on who should carry out the launch. The rocket finally lifts off, but only the upper part flies away. Nevertheless, the reporter agrees with the stunned spectators that the operation was successful and has cleared the way to the American moon. The rocket lands on target. The crew confidently disembarks. The sensation of the century is perfect. However, the horror of the visitors to the moon is great when they realize that a Soviet expedition has already begun exploring the moon without much ado.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
If you're missing the freedom of travel, explore the world via these international films that put their gorgeous settings in the spotlight.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Hulu continues its Summer releases with The Princess. This film follows the princess (yes, she is unnamed) as she attempts to escape her tower, refusing to be wed to a cruel man vying for the throne. Action-packed and snarky, this is a decently fun film if you need a fighting fix.