'Zola' is a Modern Black Fairytale
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.

In the not too distant future, in the year 1999: In Germany, payment may only be made by credit card, which leads to many people purchasing things they cannot pay for. A nasty debt collector from the almighty central bank sends out employees to take back unpaid goods from customers by force. A girl who calls herself Egon is also forced to work for this evil person. In the process, she meets nice Mike, with whom she falls in love. Soon Mike and his friend, the aging playboy Löffler, are in a turbulent adventure to free Egon from the clutches of the bank villain.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.
Wuthering Heights— What is the cost of love?
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.