A mother is good. Several mothers at once are hell! Conny is 37 years old and has so far let her life being arranged by others - especially by her husband Lawrence. Lorenz has made the previous gray mouse, a trophy wife and offers her a carefree life. And so Conny falls from the clouds, when her husband announced her at dinner that he wants a divorce. Of necessity Conny pulls together the two children in the ancient house of Lorenz deceased mother and realized with horror that from now on everything will be different. Since it holds its own for non-viable, she clings to a clique of high-society mothers...
Tomy Wigand
Director
Annette Frier
Conny Wischnewski
Roeland Wiesnekker
Anton Alsleben
Tim Bergmann
Lorenz Wischnewski
Chiara Schoras
Frauke Werner-Kröllmann
Eva Löbau
Mimi
Monica Kaufmann
Jaguar Owner's Mother
Ela Paul
Gitti
Claudio Magno
Julius Wischnewski
Charlotte Uedingslohmann
Nelly Wischnewski
Hannah Schiller
Laura-Kristin Kröllmann
David Nolden
Max
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Based on the legendary creature, the Chupacabra, this live-action movie brings an adventure to all.