“Madeline’s Madeline” and the Exploitation of Actresses
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.

Peter Verdy falls in love with Lola (Ossi Oswalda) who is mistaken for a boy when she appears in stage regalia before a rich uncle who has other marriage plans for his nephew. The tangle ensuing is finally sorted out with excellent results all round.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
This is not McDonald’s. This is something different.