'Malignant': A Fun, Wacky Horror with Feminist Undertones
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.

High school can be pretty rough. But for those of us who are victims of bullying, it can be downright miserable. Such is the case for Brad - a bright, introverted student just trying to stay alive. He's caught somewhere between personalities - still trying to define himself. But when the school's star swimmer, Adam, enters into Brad's camera lens; Brad develops a fascination with him that could prove deadly... as Adam turns out to be a bully himself. The questions build up and start swirling through Brad's head sending him into a downward spiral. But as he falls deeper into his own conscience, could a light be appearing at the end of the tunnel? Brad must overcome his fears and allow someone to reach out to him, so that he can define himself - and his place - in the world.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.