
In the spring of 1980, Esther Jochmann, a young Austrian woman, flies to San Salvador. Her husband, a journalist, has been killed. She has to identify his corpse so that the authorities will allow it to be transferred to Europe. She learns that Archbishop Oscar Romero, who was also a victim of an assassination, had granted a taped interview to her husband. Padre Manuel hands the tape over to her. Esther accompanies the Padre and John, an American reporter, who are trying to find the murderers.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.