Revisiting 'A Girl Walks Home Alone at Night': The Vamp, the Shape-shifter, and the Hybrid
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.