Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Die Allerschönste poster

Die Allerschönste 

Hannes has barely met the most beautiful girl when she disappears without a trace. But he can't get her out of his head and does everything he can to find her again. All he knows is that her name is Leonore and he knows the street where she lives. But not the house number - and there are more than 200 houses. And so Hannes sets off in search of the mysterious stranger. In the process, he meets another girl. Lore is a little inconspicuous. But Hannes soon finds out that Lore suits him much better than the unknown lady.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Hannes has barely met the most beautiful girl when she disappears without a trace. But he can't get her out of his head and does everything he can to find her again. All he knows is that her name is Leonore and he knows the street where she lives. But not the house number - and there are more than 200 houses. And so Hannes sets off in search of the mysterious stranger. In the process, he meets another girl. Lore is a little inconspicuous. But Hannes soon finds out that Lore suits him much better than the unknown lady.

Rating:
Genre:Comedy
Directed By:Georg Leopold
Written By:
In Theaters:
Box Office:

Runtime:

Studio:

Articles You May Like


In Apex, Womanhood Is More Dangerous Than the Wilderness

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space. 

Jo Moses