Creepy Concept, Lackluster Story: A Movie Review of “Come Play”
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

David Phillips (Patrick Macnee) is running down the darkened streets of London's Limehouse district, pursued by two men with guns. He finds a public phone and puts a call through to Dick Barton (Don Stannard), but before he can report, a shot rings out. Barton must piece together what Phillips found out that got him killed. Phillips had been assigned to protect Professor Mitchell (Percy Walsh) and his new development, a ray capable of exploding any unstable element aboard an aircraft in flight. Mitchell has been targeted for kidnapping by Serge Volkoff (Meinhart Maur), a foreign agent from Eastern Europe, as part of a larger, much more sinister plot to destroy England and cripple Western Europe. Complicating matters further is that Mitchell's daughter (Joyce Linden) has also been kidnapped, and Barton must contend with Volkoff's crafty female companion Anna (Tamara Desni).
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.