When a group of small-town teenagers find the “Devil's Diary,” a book that embodies the evil of Satan by physically manifesting any evil thought that is written in it, all hell breaks loose. Unearthed after centuries of concealment, the Devil's Diary wreaks havoc and destruction on the high school students who found it, and their entire community. Can their town be saved from complete ruin?
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
