Excessive and Annoying: The Overhyped Failure of 'Deadpool and Wolverine'
Wolverine carries Deadpool - literally and figuratively

"61: Highway to Hell" tells the story of Richter Scale, a talentless LA based rock band desperate for fame and fortune. They are on the verge of breaking up when their manager convinces them that the only thing standing between them and glory is a pact with the devil. So they borrow an RV and head out for the infamous crossroads of Mississippi.-- But with questions looming: Will the devil actually show up to meet them there? And more importantly, will he even want their souls?
Wolverine carries Deadpool - literally and figuratively
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.