Louis Theroux Takes Us "Inside the Manosphere" and It's Even Scarier Than You Expect
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.

A time travel story that brings Irdina (Sharifah Rose) back to her past 10 years ago after finding an old computer belonging to a professor. Irdina bought an auction house that had been abandoned almost 5 years ago. According to neighbors there, the house belonged to a Professor named Aida (Sherry Ibrahim) who died in 2017. One day, Irdina came across a secret door. Inside is a room with technological equipment that allows one to enter the year 2013. Irdina only needs to select a date and the machine will take her to that time. She is thrilled to be able to change history and wants to change her own love story. Having a chance meeting with Professor Aida, he warned Irdina not to ever change history. When Irdina does that, everything goes haywire!
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
This is not a story of oppression but a story of liberation.
There's no hiding the horrors of war in this inspiring story of survival