Andhadhun: A Retrospective
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.

President Ito, a major apparel maker, was poisoned in the president's office. Kenzo (Baku Ohwada), who happened to be interviewing nearby, rushes to the site. According to his secretary Masae, Ito's ex-wife's younger brother Yoshimoto visited and he started arguing with Ito, but he suddenly escaped. Kenzo asks Kyosuke Kozu (Masaomi Kondo) to investigate. It turns out that Ito's son Takashi, who was killed, is enrolled in Kyosuke Kamizu's university. When Kyosuke Kamizu met at the university, his mother-in-law, Yoko, aimed at his father's fortune and said, "I think he teamed up with designer Kawahara ." Yoko has a relationship with Kawahara, and Ito, who died, was confused because she had an affair with her secretary, Masae. Takashi is said to have already left home and is living on his own.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.