A terrorist group invades a laboratory containing a deadly bacteria and destroys the lab with an explosion. They later announce via the internet they have gained possession of the bacteria and declare themselves to be the Red Siamese Cats, a terrorist group that was eradicated a decade ago.
Yasuichiro Yamamoto
Director
Minami Takayama
Conan Edogawa (voice)
Kappei Yamaguchi
Shinichi Kudo / Kaito Kid (voice)
Wakana Yamazaki
Ran Mouri (voice)
Rikiya Koyama
Kogoro Mouri (voice)
Megumi Hayashibara
Ai Haibara (voice)
Yukiko Iwai
Ayumi Yoshida (voice)
Ikue Otani
Mitsuhiko Tsuburaya (voice)
Wataru Takagi
Genta Kojima / Wataru Takagi (voice)
Kenichi Ogata
Hiroshi Agasa (voice)
Naoko Matsui
Sonoko Suzuki (voice)
Ryo Horikawa
Heiji Hattori (voice)
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.