Destroy All Monsters (1969)

Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.

Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first. 

Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!

Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

Director and writer, Miles Marti, brilliantly created a film that captures the story of a kid that learns a new reality all within the walls of her classroom. Tears Of Knowing lightly steps into the devastation of loss through a childhood lens, and presents a perspective that is not often acknowledged. Though grief and loss are important aspects, the film also showcases excellent portrayals of trust, innocence, and naivety.

The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.