The Final Season of ‘Superstore’ Sends off an Inclusive Gem
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.

It tells the story of four friends who were separated for 10 years and reunite by chance. To cope with the pressures of their respective lives, they plan to embark on a journey to gain experience while doing charitable work. The journey of the four friends, which spans the Malay Peninsula from Johor to Thailand, visits every corner of this Islamic land and discovers its various beauty and destruction. They stay in each state and share their souls through nasyid singing at street corners, conveying songs of divinity that have long been 'silent' in this land. They revive nasyid songs such as 'Buta Mata, Pondok Kecil' and others. Various public benefits are found by them in each state they visit, such as stories of separated love, stories of khalwat and alcohol, mysteries of Sufi masters, the realm of spirits and jinn, marriage and divorce, breakdown of families, the wonders of the five senses, and many more.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
Emily and Stephanie are back... just add gin and drama.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.