“Bury Your Gays” Trope in TV and How “Wynonna Earp” Defies it
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.

Gil Garcia is at the end of his life. Wounded and bleeding in a church confessional, he tells an unsuspecting Father Wade his tragic story. At a young age, Gil's father takes him to America in search of a better life, forcing him to leave the girl he loves in Mexico. Orphaned shortly after arriving, Gil is taken in by his father's only friend, Dustin, who raises Gil along with his own son, Rod. Fifteen years later, Gil & Rod have yet to find their way in life, still living at home and playing basketball on the streets for money. When cancer overtakes Dustin, they are faced with a funeral bill they cannot afford. Desperately searching for a solution, Rod suggests kidnapping for ransom. Gil knows of the perfect person: a woman married to a wealthy man who would never risk the life of his loved one for the relatively small amount of money in question. But Rod doesn't know the whole truth - the woman is Desdemona, Gil's childhood love from Mexico.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.