'Black Adam': Superhero Action, but Weak Story Shazam
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.

Dennis Ranalter is one of the world's most respected freeride skiers, his playful style and technical ability earning him a wide fan base and the widely used moniker: D-RAN. Yet away from a name that showcases his self-assurance on the steep slopes of Austria, Dennis’s struggles with identity run deep. At its heart, the question of race and what it means to be black in a sport that remains predominantly and conspicuously white. Descendance is Dennis’s story, a personal journey of self-exploration that examines his relationship with his own skin color, with those closest to him and all those who share his love of skiing. It’s a journey that takes him from his home valley in Austria to Accra, the capital of Ghana, shining a light on the power of family along the way.
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.