Thirty thousand square meters and 2,000 inmates, half of them under 30 years old. The Baumettes jail tells about misery, violence, abandonment, and also hopes. It is a story with its screams and its silences. A concentrate of humanity.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Religion, race and generations collide in this romantic comedy starring Jonah Hill
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
An attempt to capture nostalgia that unfortunately just doesn’t work
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
