'Stargirl' Shows Self Expression Among Teenagers
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.

At the gates of the Vercors, the inhabitants of Saint-Nazaire-en-Royans discovered that a massive rock quarry wanted to set up on the small mountain overlooking their village, Mount Vanille. Stunned by the gigantic scale of the project and feeling betrayed by the elected officials, the village mobilized. There will be work, energy, disappointments. And there will be a victory. Each one taking part in his own way in the destiny of his village, it is a new political landscape which takes shape. Shaking up the well-oiled wheels of a system, this struggle tells of the very contemporary urgency to finally get involved in what concerns us.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
All in all, 47 Meters Down: Uncaged is a film I would recommend. It promotes the bond of sisterhood, which in this case is clearly thicker than blood, as well as courage. No one truly knows how strong they are until they go through something unimaginable and come out changed for the better.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.