'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

A young woman of good family is driven into one of thieves and prostitutes and ends in suicide.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
The film is a powerful narrative encompassing a theme that many people can identify with.