“The Thursday Murder Club” Provides a Cozy Mystery
As a frequent “the book was better” extoller, this movie was well worth the watch.

North Friesland today: After the death of his father-in-law, Hauke Haien takes on two important roles in coastal protection - dyke count and director of coastal protection. Professionally, Hauke is the best man for the job; he is a visionary who lives and thinks in harmony with nature. Only people are not his cup of tea. As a loner, Hauke hardly knows how to inspire an audience and win over fellow campaigners. His warnings about the effects of climate change are dismissed as hysteria in the village, even though the coastal inhabitants know that a drastic change of course in climate policy is unavoidable. Fortunately for Hauke, his wife Elke supports him. She manages to make him heard. But Hauke does not enjoy his success for long, because when it becomes known that his plans are much more radical, he is met with incomprehension and anger. Resistance and pressure wear on him. Disaster can no longer be averted.
As a frequent “the book was better” extoller, this movie was well worth the watch.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.