‘Oppenheimer’: The Man Behind the Myth
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.

While the unemployed actor Dieter "Did" Stricker keeps his head above water as a barker, his old acquaintance Rainer turns up, who now works as a PR strategist for the radical right-wing NSDU party. Did's rhetorical talent and his great poses would suit the faceless party well. With a few tricks, Rainer persuades his former colleague to run for office. With success: the popularity of the party increases, as do Stricker's fees. But suddenly his conscience speaks out.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.