Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Der Mörder und sein Kind poster

Der Mörder und sein Kind 

On the outside, Martin Dreyer looks like the nice neighbor next door. He lovingly looks after his paralyzed brother and his friends have never noticed him in a negative way. Nobody sees what a monster lies dormant inside him. No one suspects the incomprehensible. Martin suffers from a terrible burden: an obsessive desire for young girls. When Martin meets the young, petite Sonja one day and falls in love with her straight away, he believes in a new life. He asks her to marry him. She is surprised at his quick decision, but then agrees. What Martin doesn't know until then is that Sonja has a little daughter.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


On the outside, Martin Dreyer looks like the nice neighbor next door. He lovingly looks after his paralyzed brother and his friends have never noticed him in a negative way. Nobody sees what a monster lies dormant inside him. No one suspects the incomprehensible. Martin suffers from a terrible burden: an obsessive desire for young girls. When Martin meets the young, petite Sonja one day and falls in love with her straight away, he believes in a new life. He asks her to marry him. She is surprised at his quick decision, but then agrees. What Martin doesn't know until then is that Sonja has a little daughter.

Rating:
Genre:Drama, Thriller
Directed By:Matti Geschonneck
Written By:Sabine Thiesler
In Theaters:
Box Office:

Runtime:90 minutes
Studio:Multimedia Gesellschaft für Audiovisuelle Information mbH, WDR

Articles You May Like


"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood