Der Mann auf der Bettkante 

This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.