'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Divorced hotel employee Hans seems to have lost his son Moritz forever. His ex-wife Linda wants to emigrate to Denmark with him and her new boyfriend. Although he is a man, he no longer has any say in society, because men are, after all, evolution's discontinued models. And since feminism has long been institutionalized, society is becoming more and more feminine and he has fewer and fewer opportunities, he feels powerless and helpless against his ex's decision. So he decides to sit on the dancing lime tree in the middle of the market square to protest against all these injustices.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
The highly anticipated 'Spider-Man: No Way Home' has been released in theaters and now it's time to rank all the previous MCU 'Spider-Man' films from Tobey Maguire to Tom Holland based on their awesomeness.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.