“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

Divorced hotel employee Hans seems to have lost his son Moritz forever. His ex-wife Linda wants to emigrate to Denmark with him and her new boyfriend. Although he is a man, he no longer has any say in society, because men are, after all, evolution's discontinued models. And since feminism has long been institutionalized, society is becoming more and more feminine and he has fewer and fewer opportunities, he feels powerless and helpless against his ex's decision. So he decides to sit on the dancing lime tree in the middle of the market square to protest against all these injustices.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.