Der Hurenstreik - Eine Liebe auf St. Pauli 

(Trigger warning for themes of suicide)

I initially saw Dear Evan Hansen in its initial medium, on the stage in Broadway. Apparently, I must’ve been so blown away by the magic of theater that I didn’t totally pick up on some of the more questionable dynamics happening in the narrative. Seeing the story handled more clumsily on the big screen called said dynamics more to my attention. I appreciate the story first and foremost for its intent of having a positive effect on those dealing with mental health issues.

However, like I mentioned in my review of Jack and Diane, when such sensitive topics like mental health, suicide, and other triggering subjects are portrayed in media, you must present it with the utmost carefulness. Otherwise, you may accidentally send the wrong message, which can have detrimental effects when viewed by a specific audience. This is sort of what happens for Dear Evan Hansen.

Yes, some rather unfortunate implications lie in the sowing of story beats. An ugly truth about the story is... Evan’s life improves tremendously after Connor’s death. It's the catalyst for the entire plot, and boy is it uncomfortable to think about. In the eyes of a viewer in a poor headspace, they could potentially take this as confirmation that yes — maybe things would be better without you. I know that's not at all the point the narrative wants us to focus on, but it is a glaring unpleasantry. I always appreciate when an attempt is made to destigmatize mental health. It’s a really important issue that so many struggle with, and the more we have an open dialogue about it the less alone those who suffer feel. Sadly, the quality of execution in the film wasn’t all there.