After years of drifting around, Willi Palko arrives in the lignite mining area. He was not only looking for a new job, but also wanted to finally settle down here. The party leadership sends him to the Schepp brigade, which has made itself "suspicious" (on paper) due to its extremely high production figures. The stranger is accused of being a spy for the factory management. Willi finds it difficult to assert himself, but he is taken with the big excavator, the prospect of one day being allowed to drive it, and the brash flapper Hanna. He stays, and with his help a mine foreman is exposed as a Western agent and coal production is brought up to a really high level.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
In a Whisper is a coming out narrative, but it’s also a story about multiple mother-daughter relationships and the necessity of family.
Mean Girls not only centers around what goes on in high school, but also shows viewers and fans the diversity among people, especially teenagers, within today's society.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
