The city is overwhelmed by consumerism and information. The constant barrage of information starts to glide past all of us. We are neither here nor there. We try to distinguish fact from fabrication—but we do not always succeed. We ponder on our existence and whether we are in control of our lives. Some people dedicate their lives to the Creator although the presence of a higher power is debatable. We wander from emptiness to emptiness, and realise that life is emptiness in itself. A societal revolution is in order but how should it be carried out? With no success in sight, would the revolution be rendered meaningless? The melancholic musings and rants of the young gloomy leftists are rarely answerable.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
This article will cover why this film is categorized as a documentary and concert film.
This movie will always resonate with queer people, for as long as queer people exist.
