
The film interprets the theme of the loss of personality, the so-called „depersonalization" – a state in which the individual loses the ability to feel the image of himself, his emotions, even his body. The world of the film is created through the movement of pigment, paint, fluid by the use of „painting under the camera" technique. The events flow into each other, degenerate in the logic of some irreversible and unnatural randomness. Their metamorphosis collides the evolutionary course with its opposite - the tree grows and buries his crown back into the earth, the world returns to primal matter, the consumer is consumed.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
A story of a magical dragon brings great representation for Chinese culture.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
The movie is centered around the title character who goes on a Christmas adventure.