
Herb’s life is a mess. He’s lost his welfare, can’t hold a job, can’t talk to his son, has a neighbour who won’t shut up and a diet that consists mainly of cheap beer and mushy peas. It’s no way to live and he knows it. Then he learns from a TV news report that Danish prisoners have it way better than he does: a job, accessible healthcare, the quiet of the countryside, even an HDTV. They’re practically living in hotels. He says goodbye (and good riddance) to his dingy flat and smuggles himself to Denmark aboard a cargo ship, landing in a quaint town with everything he needs -- including a bank to rob. But when he meets a friendly local barmaid and a lovable stray dog that won’t leave his side, he begins to wonder if prison really is his only chance of a fulfilling life.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.