It's 'Christmas In the Heartland' for Two Girls
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.

# Neelisa The story follows Amira, a village girl who marries Harris, a bachelor from a wealthy family, and lives as a devoted wife. Unfortunately, Harris remains extravagant and unfaithful. Amira's first miscarriage causes her to be disliked by Harris's mother, Mona, who only cares about status and position. Amira is frequently abused by Mona, but she is fortunate to have Harris's father, Mus, who is sympathetic to her suffering. Then, Amira's foster sister and close friend, Kirana, returns to Malaysia and begins a secret affair with Harris out of her old grudge against Amira. Syafiq, Amira's brother, has long harbored feelings for Kirana and hopes she will return his love. However, because of Kirana's secret relationship with Harris, Kirana completely ignores Syafiq's affections. Amira, still hopeful of becoming pregnant, grows suspicious of Harris when she discovers he often avoids intimacy with her and frequently comes home late.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.