Me and 'My Best Friend Anne Frank'
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.

Lucy Raven's Demolition of a Wall (Album 1) is the second film in her trilogy of "Westerns." In American cinema, the Western has traditionally celebrated the expansionist myth that the region is somehow primal or untouched. Raven, by contrast, engages with a West that–while still dramatic in its natural beauty–has been industrialized, militarized, and colonized. She filmed this work at an explosives range in New Mexico that is typically employed as a test site by the US Departments of Defense and Energy and private munitions companies. Notably, it is close to Los Alamos, a national laboratory known for its role in the development of the nuclear bomb. Using a variety of cameras and imaging techniques, Raven captures the trajectory of the pressure-blast shockwaves that move through the atmosphere in the wake of an explosion. [Overview courtesy of the Whitney Museum of American Art]
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
It’s dark, uncomfortable, and there are things that don’t make sense.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.