Lauren, a lovely 29-year-old it-girl, tries to break into the world of fashion by skimming Parisian parties. Olivia, a 28-year-old psychologist, has two obsessions: to save the confectionery of her parents, and to find her ideal husband. At the age of 26, Salma, a fiery young history teacher, still lives with her mother in the suburbs. Their roads have no reason to cross - until the day when, on the death of their biological father that they never knew, they inherit together a splendid Parisian apartment. For these three sisters who have nothing in common, cohabitation will prove to be explosive, to say the least.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
