No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Ödemarksprästen
In the early 18th century the priest Martin Ryselius has become widower and stands alone with a one-year-old daughter. He is seeking the meaning of existence by heading north in Sweden for a priesthood service in the mountains.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
In the early 18th century the priest Martin Ryselius has become widower and stands alone with a one-year-old daughter. He is seeking the meaning of existence by heading north in Sweden for a priesthood service in the mountains.
Rating:
Genre:Drama
Written By:Rune Lindström
In Theaters:
Box Office:
Runtime:96 minutes
Studio:Sandrews
Cast
Gösta Folke
Director
Olof Widgren
Vicar Martin Ryselius
Birgit Tengroth
Kristina Tarvolander
Mona Malm
Hedda-Lisa Ryselius
Carl Ström
Vicar Tarvolander
Arnold Sjöstrand
Rutger von Wessing
Anders Nyström
Carl Rutger von Wessing
Kolbjörn Knudsen
Huggen
Björn Berglund
Tomas Kosoin
Torgny Anderberg
Sjul Kosin
Nine-Christine Jönsson
Sofia
Åke Claesson
Carl von Linné
Articles You May Like
'June & Kopi': Another Story about Friendship
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
'EXmas' (2023)
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
Asian Horror From 10 Countries You Need To See Before Halloween
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
Mississippi Masala: A Romance that Interrogates Racism from Within and Without
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
“The Invite” Will Make You Stress Eat
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.