Sandhya Joshi's mom had wanted her daughter to study, at least complete her graduation in Commerce, before getting married. Her husband, however, thought otherwise and before Sandhya could complete her education, he got her married to Madhav Desai, the first ever man to enter Sandhya's life. The marriage takes place and Sandhya moves in with Madhav and his mom. Madhav makes it clear that he wants a child from her, however, years roll by without the couple conceiving. The second man to enter Sandhya's life is Lakshman, who she hires to do the cooking and housekeeping. The third man is Anirban H. Pandopadhyay, a violinist, who lives in a rented apartment. Sandhya does not know that soon she will be arrested by the police for killing one of the three men in her life. Watch as events unfold to see who was killed and what possessed Sandhya to kill him.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
