The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

Tommy takes up temporary housing in a New York neighborhood plagued by a violent gang called the Souls. Tommy is waiting for his next assignment as a seaman and though he tries to avoid the gang and his neighbors, it does not work. Soon he is battling the Souls and not only changing their attitudes, but the attitudes of his previously intimidated neighbors as well.
A direct fall into the white savior narrative
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.