A hero challenges the Demon King to save the world. The hero who was supposed to be the hero who won a brilliant victory and saved the world was easily defeated and humiliated by the Demon King. He was forcibly raped, and while screaming pitifully, he gradually surrendered to the Demon King. Finally, he begins to show the face of a male who begins to desire the Demon King...
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
