This informative and shocking two-hour documentary reveals over fifteen years of research from the world's leading AIDS scientists and researchers who unveil the truth behind the controversy surrounding HIV. Through this discovery process information is uncovered about the lack of "real" science behind what is accepted as official science. We are given the opportunity to witness and view respected authorities who come forward to challenge many of the uncertainties and "truths" about AIDS. This documentary will challenge those who claim to have discovered the cause of AIDS and who then sold to the world a highly inconsistent test as the absolute indicator of a fatal disease. A timeline through AIDS history presents inaccurate statements, questionable scientific evidence, and no real answers from the billions of global dollars spent on research.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
This Disney Channel Original Movie shows how two different groups can coexist.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.
