Storm & Starfire Colorism
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.

In 1966, single guy David’s plans for a simple Christmas are dashed when his neighbor Stephanie arrives with news that she won a contest to have Tommy Saunders’ Christmas Eve TV special broadcast live from her house – but used his address. In 1981, John and Lizzie learn that this will be their last Christmas on Cherry Lane after John receives a job offer in Michigan and Lizzie finds out she’s pregnant. In 2000, best friends Matt and Rebecca find unexpected feelings developing as they try to find out who is behind a series of Christmas-themed random acts of kindness.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.